Untitled [A set of 2 Books on F N Souza

of private experiences and associations.” (Edwin Mullins F. N. Souza Anthony Blond Ltd. 1962 p. 39... Souza’s Heads from this period seem to construct an irrereverent image of medieval Christianity as Souza used the construction of the line replete

"a tradition of erotic art incomparably more sensitive and pure" than the academic art taught in Bombay. (Edwin Mullins F N Souza London Anthony ...Painted in 1950 - when Souza had just moved to England and was on the cusp of artistic recognition - the present lot demonstrates the influence

” (Edwin Mullins F. N. Souza An Introduction London Anthony Blond Ltd. 1962 p33) In this lot titled Homer Souza pays tribute to the great epic writer ...“Souza is a painter with a powerful and strange personal vision. His paintings are neither primitive nor ‘cultured’. They either move you

.." (Edwin Mullins F N Souza London Anthony Blond Ltd. 1962 p. 40) HAROLD KOVNER In 1956 Souza found his first major patron the wealthy ...months - entirely of the artist's choosing - and in return Kovner would keep him supplied with money." (Edwin Mullins F N Souza London Anthony Blond

the language by which his own mental images are expressed and the common ground on which we may come to terms with them.” - EDWIN MULLINS ( F N Souza New Delhi Kumar Gallery 1962) F N Souza’s stunning draughtsmanship and rich if unsettling imagination has earned him a significant position in the cannon

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