Mahadev Visvanath Dhurandhar was a central figure in the Bombay art world of the late colonial period, regarded second only to Raja Ravi Varma in popularity. While his depictions of mythological scenes, royal portraits, and nationalist commissions were faithful to Western academic realism, his art also incorporated distinctly Indian contexts, displaying his “ability to combine cultures” which “earned him respect gaining him imperial as well as...
Mahadev Visvanath Dhurandhar was a central figure in the Bombay art world of the late colonial period, regarded second only to Raja Ravi Varma in popularity. While his depictions of mythological scenes, royal portraits, and nationalist commissions were faithful to Western academic realism, his art also incorporated distinctly Indian contexts, displaying his “ability to combine cultures” which “earned him respect gaining him imperial as well as royal patronage. As a result, several of his works found their way to museums, chiefly within the Presidency.”(Ashish Anand, “A Legacy Restored”, Ritu Vajpeyi Mohan ed., M V Dhurandhar: The Romantic Realist, New Delhi: Delhi Art Gallery, 2018, p. 23) Since he was a student, Dhurandhar maintained a regular drawing practice, sketching ordinary subjects such as students in class, women at work, and friends mid-conversation. These drawings were not preparatory studies, nor intended for exhibition. They were a kind of visual note-taking: a way to stay attuned to the world and build his own language of expression from the grammar of his perception. “...He was like a voyeur who could not tear himself away from the ongoing chronicles that life afforded him, and [his] sketches…are an insight into the way the artist observed people and places around him.” (Mohan ed., “The Prolific Sketcher”, p. 211) Across this set of drawings, recurring gestures appear-someone adjusting their sari, resting, laughing, turning away. There’s an informality here that resists the stiff performance of colonial portraiture. It’s Dhurandhar in a freer mood, where line becomes intuition, and drawing becomes a way of paying attention. As an artist, Dhurandhar was caught between worlds-trained in the colonial academy but rooted in Indian visual culture, working under the British Empire while seeking something distinctly his own. These drawings feel like an in-between space. They are not grand or declarative, but quiet, reflective, and entirely alive.
Read More
Artist Profile
Other works of this artist in:
this auction
|
entire site
Lot
4
of
85
25TH ANNIVERSARY EVENING SALE
27 SEPTEMBER 2025
Estimate
Rs 40,00,000 - 60,00,000
$45,200 - 67,800
ARTWORK DETAILS
Mahadev Visvanath Dhurandhar
a) Untitled Inscribed in Devnagari (in front, multiple locations) Pencil on paper 7.75 x 6.25 in (19.5 x 16 cm) This is a double-sided work
b) Untitled Inscribed and dated 'Lily/ 9.5.19' (upper right); inscribed and dated 'Kankra Khan/ 28.9.18' (on the reverse) 1918-1919 Pencil on paper 7.5 x 5.75 in (19 x 14.5 cm) This is a double-sided work c) Untitled Dated '25.4/ 20' (upper right) and inscribed in Devnagari and further inscribed '13 years' (centre right) 1920 Pencil on paper 7.75 x 6 in (20 x 15.5 cm) d) Untitled Watercolour and pencil on paper 7.75 x 6 in (19.5 x 15.5 cm) e) Untitled Watercolour on paper; Watercolour and pencil on paper 7.75 x 6 in (19.5 x 15.5 cm) This is a double-sided work f) Untitled Dated '16.2.41' and inscribed in Devnagari (on the reverse) 1941 Watercolour on paper; Pencil on paper 7.75 x 6.25 in (19.5 x 16 cm) This is a double-sided work g) Untitled Inscribed indistinctly (upper left); inscribed 'Panala' (on the reverse) Colour pencil on paper; Pencil on paper 7.75 x 6 in (19.5 x 15.5 cm) This is a double-sided work h) Untitled Inscribed in Devnagari (upper right) Pencil on paper 7.75 x 6 in (19.5 x 15.5 cm) i) Untitled Pencil and colour pencil on paper 3.5 x 2.25 in (9 x 5.5 cm) j) Untitled Inscribed indistinctly (upper left) Watercolour and pencil on paper; Pencil on paper 7.75 x 5.75 in (19.5 x 14.5 cm) This is a double-sided work k) Untitled Inscribed in Devnagari and dated '14.4.22' (lower right) and further inscribed in Devnagari (upper right) 1922 Pencil on paper 7.75 x 6 in (19.5 x 15 cm) l) Untitled Initialled 'M.V.D.' (centre right) Watercolour and pencil on paper 7.75 x 6 in (19.5 x 15 cm) m) Untitled Pencil on paper 7.75 x 6 in (19.5 x 15.5 cm) n) Untitled Inscribed in Devnagari (upper right and on the reverse) Pencil on paper 7.75 x 6 in (19.5 x 15.5 cm) This is a double-sided work o) Untitled Dated and inscribed '17/2/23/ Roshan' (upper right) 1923 Watercolour on paper 7.75 x 5.75 in (19.5 x 14.5 cm) p) Untitled Dated '9.7.13.' (centre right); inscribed and dated 'Licha Crying/ 7.5.14' (on the reverse) 1913-1914 Pencil on paper; Watercolour and pencil on paper 7.75 x 6 in (20 x 15.5 cm) This is a double-sided work q) Untitled Inscribed and dated 'Londa/ 29.7.23' (centre left) 1923 Pencil on paper 7.75 x 6 in (19.5 x 15 cm) r) Untitled Inscribed in Devnagari and dated '17.3.17' (centre) 1917 Pencil on paper 7.75 x 6 in (19.5 x 15.5 cm) s) Untitled Dated '1908' (lower right) 1908 Pencil on paper 2.25 x 1.75 in (6 x 4.5 cm) t) Untitled Watercolour on paper; Pencil on paper 7.75 x 6 in (19.5 x 15 cm) This is a double-sided work
Non-Exportable
(Set of twenty)
PROVENANCE DAG, New Delhi Private Collection, New Delhi
Category: Painting
Style: Figurative